http://architizer.com/projects/maria-magdalena-2/
Maria Magdalena
Austria
Firm
White Concrete in Golden Ratio
The family chapel Maria Magdalena by the architect Gerhard Sacher is a spectacular sculptural object made of white concrete ( SCC „self compacting concrete“). The constructers have proved a great portion of heart, trust and deep understanding for architecture in having created this project of an exceptional, timeless spaciousness, in which family ceremonies and festivities take place and where tranquillity, contemplation and remembering can be experienced in a unique setup. In a sighting distance to the Magdalensberg hill and the Hochosterwitz castle, the piece of architecture represents a modern landmark as an expressive symbol of an artless form language.
Photo: Paul Ott
Firm
White Concrete in Golden Ratio
The family chapel Maria Magdalena by the architect Gerhard Sacher is a spectacular sculptural object made of white concrete ( SCC „self compacting concrete“). The constructers have proved a great portion of heart, trust and deep understanding for architecture in having created this project of an exceptional, timeless spaciousness, in which family ceremonies and festivities take place and where tranquillity, contemplation and remembering can be experienced in a unique setup. In a sighting distance to the Magdalensberg hill and the Hochosterwitz castle, the piece of architecture represents a modern landmark as an expressive symbol of an artless form language.
The family chapel Maria Magdalena by the architect Gerhard Sacher is a spectacular sculptural object made of white concrete ( SCC „self compacting concrete“). The constructers have proved a great portion of heart, trust and deep understanding for architecture in having created this project of an exceptional, timeless spaciousness, in which family ceremonies and festivities take place and where tranquillity, contemplation and remembering can be experienced in a unique setup. In a sighting distance to the Magdalensberg hill and the Hochosterwitz castle, the piece of architecture represents a modern landmark as an expressive symbol of an artless form language.
Photo: Paul Ott